Cultural Stereotypes and Sexual Perception; A Multifaceted Content Analysis of Gender, Race, and Interpretative Diversity in popular music videos
Abstract
This study investigates the perceptions of graduate college women from a multicultural background regarding sexual content in pop music videos, categorizing them as Sex Object, Sex as Power, or Non-Sexual. The research aims to assess the consistency and predictability of participants' perceptions through a qualitative coding system, focusing on statistically significant levels of interrater agreement. Thirty graduated female college participants were recruited through an online method, with an average age of 24.5 years. The participants, primarily, African-American, Middle east, and European and Asian were each exposed to seven pre-selected music videos out of 21, representing different suggested categories. Videos featured female artists or characters, with considerations for gender balance. Participants, motivated by a 200 Euro Amazon gift card, utilized a receiver-oriented content analysis method to report perceptions. Definitions for each category were provided, allowing participants to categorize the videos. Six subscales were employed to gauge perceptions further, assessing aspects like sexual intensity and the representation of women. Results indicated that participants viewed each video an average of 4.9 times, with an average video appeal score of 2.3 on a 4-point Likert scale. Fleiss’ Kappa also employed for assessing the reliability of agreement between a fixed number of raters. These findings underscore the diversity in individual perceptions of sexual content in music videos, challenging assumptions of uniform interpretation. The study emphasizes the need for nuanced analysis and acknowledges that certain videos elicit consensus among viewers, shedding light on the complex landscape of sexual portrayals in popular culture.
References
Andsager, J., & Roe, K. (2003). ‘What’s your definition of dirty, baby?’: Sex in music video. Sexuality & Culture: An Interdisciplinary Quarterly, 7(3), 79-97.
Arnett, J. (2002). The sounds of sex: Sex in teens’ music and music videos. In J. D. Brown, J. R. Steele, & K. W. Childers (Eds.), Sexual teens, sexual media: Investigating media’s influence on adolescent sexuality (pp. 253-264). Routledge, UK.
Aubrey, J., & Frisby, C. M. (2011). Sexual objectification in music videos: A content analysis comparing gender and genre. Mass Communication & Society, 14(4), 475-501.
Austin, E. (2007). The locus of message meaning: Differences between trained coders and untrained message recipients in the analysis of alcoholic beverage advertising. Communication Methods & Measures, 1(2), 91-111.
Austin, E., Pinkleton, B., & Fujioka, Y. (1999). Assessing prosocial message effectiveness: Effects of message quality, production quality, and persuasiveness. Journal of Health Communication, 4(3), 195-210.
Balaji, M. (2010). 'Vixen resist in’: Redefining black womanhood in hip-hop music videos. Journal of Black Studies, 41(1), 5-20.
Bandura, A. (1977). Social learning theory. Englewood Cliffs, NJ: Prentice-Hall.
Baxter, R. L., de Riemer, C., Landini, A., Leslie, L., & Singletary, M. W. (1985). A content analysis of music videos. Journal of Broadcasting & Electronic Media, 29(3), 333-340.
Boruszkowski, L., Vincent, R., & Davis, D. (1987). Sexism on MTV: The portrayal of women in rock videos. Journalism & Mass Communication Quarterly, 64, 750-941. https://doi.org/10.1177/107769908706400410
Bussey, K., & Bandura, A. (1999). Social cognitive theory of gender development and differentiation. Psychological Review, 106(4), 676-713.
Cummins, R. (2007). Selling music with sex: The content and effects of sex in music videos on viewer enjoyment. Journal of Promotion Management, 13(1-2), 95-109.
Davies, R. A., Maher, C. G., & Hancock, M. J. (2008). A systematic review of paracetamol for non-specific low back pain. European Spine Journal, 17(11), 1423-1430.
Ehrlich, B. (2010). Vevo ranks number one among music video viewers. Mashable.
Frisby, C. M., & Aubrey, J. (2012). Race and genre in the use of sexual objectification in female artists’ music videos. Howard Journal of Communications, 23(1), 66-87.
Gow, J. (1996). Reconsidering gender roles on MTV: Depictions in the most popular music videos of the early 1990s. Communication Reports, 9(2), 151-161.
Jhally, S. (Producer & Director). (2007). Dreamworlds 3: Desire, sex & power in music video. Media Education Foundation, United States.
Jones, S. (1988). Cohesive but not coherent: Music videos, narrative and culture. Popular Music and Society, 12(4), 15-29.
Kalof, L. (1999). The effects of gender and music video imagery on sexual attitudes. The Journal of Social Psychology, 139(3), 378-385.
Kistler, M., & Lee, M. (2010). Does exposure to sexual hip-hop music videos influence the sexual attitudes of college students? Mass Communication & Society, 13(1), 67-86.
Landis, J. R., & Koch, G. G. (1977). The measurement of observer agreement for categorical data. Biometrics, 33(1), 159-174.
Manganello, J. A., Henderson, V. R., Jordan, A., Trentacoste, N., Martin, S., et al. (2010). Adolescent judgment of sexual content on television: Implications for future content analysis research. Journal of Sex Research, 47(4), 364-373.
Martino, S. C., Collins, R. L., Elliot, M. N., Strachman, A., Kanouse, D. E., et al. (2006). Exposure to degrading versus nondegrading music lyrics and sexual behavior among youth. Pediatrics, 118(2), 430-441.
Pichon, I., Boccato, G., & Saroglou, V. (2007). Nonconscious influences of religion on prosociality: A priming study. European Journal of Social Psychology, 37, 1032-1045.
Sapra, M., Vahia, I. V., Reyes, P. N., Ramirez, P., & Cohen, C. I. (2008). Subjective reasons for adherence to psychotropic medication and associated factors among older adults with schizophrenia. Schizophrenia Research, 106(2-3), 348-355.
Sommers-Flanagan, R., Sommers-Flanagan, J., & Davis, B. (1993). What’s happening on music television? A gender role content analysis. Sex Roles, 28(11-12), 745-753.
Taylor, L., & Setters, T. (2011). Watching aggressive, attractive, female protagonists’ shapes gender roles for women among male and female undergraduate viewers. Sex Roles, 65(1-2), 35-46.
Tiggemann, M., & Slater, A. (2004). Thin ideals in music television: A source of social comparison and body dissatisfaction. International Journal of Eating Disorders, 35(1), 48-58.
Turner, J. (2005). An examination of sexual content in music videos. Doctoral dissertation, University of Delaware, Newark, DE.
Vincent, R., Davis, D., & Boruszkowski, L. (1987). Sexism on MTV: The Portrayal of Women in Rock Videos. Journalism & Mass Communication Quarterly - JOURNALISM MASS COMMUN, 64, 750-941. https://doi.org/10.1177/107769908706400410.
Wallis, C. (2011). Performing gender: A content analysis of gender displays in music videos. Sex Roles, 64(3-4), 160-172.
Ward, L. M., Hansbrough, E., & Walker, E. (2005). Contributions of music video exposure to black adolescents’ gender and sexual schemas. Journal of Adolescent Research, 20(2), 143-166.
Wright, P. (2009). Sexual socialization messages in mainstream entertainment mass media: A review and synthesis. Sexuality & Culture: An Interdisciplinary Quarterly, 13(4), 181-200.
Zhang, Y., Miller, L., & Harrison, K. (2008). The relationship between exposure to sexual music videos and young adults’ sexual attitudes. Journal of Broadcasting & Electronic Media, 52(3), 368-386.
Zhang, Y., Dixon, T., & Conrad, K. (2010). Female body image as a function of themes in rap music videos: A content analysis. Sex Roles, 62(11-12), 787-797.
Copyright (c) 2024 Amin Khaksar, Zahra Rahimi
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright for this article is retained by the author(s), with first publication rights granted to the journal. This is an open-access article distributed under the terms and conditions of the Creative Commons Attribution license (https://creativecommons.org/licenses/by-nc-nd/4.0/).