Features of The Development of Drama in the Easterncountries

Mukhibova U. U; Mukhiddinova D; Saidova N; Komilova Sh; Shermatova G; Egamberdieva M

doi:10.47814/ijssrr.v5i3.223

Mukhibova U. U Doctor of Philological Sciences, Professor, Tashkent State University of Oriental Studies, Uzbekistan
Mukhiddinova D Doctor of Philological Sciences, Tashkent State University of Oriental Studies, Uzbekistan
Saidova N Senior Teacher, Tashkent State University of Oriental Studies, Uzbekistan
Komilova Sh Senior Teacher, Tashkent State University of Oriental Studies, Uzbekistan
Shermatova G Teacher, Tashkent State University of Oriental Studies, Uzbekistan
Egamberdieva M Teacher, Tashkent State University of Oriental Studies, Uzbekistan

DOI: https://doi.org/10.47814/ijssrr.v5i3.223

Keywords: Arabic Drama; Egypt; Zakituleimat; Ahmed Roshdi Salah; Mohammed Mandour; Mahmoud Teymour; Maghreb Countries; “Huaju”; “Oral Drama”; “Beijing Experimental Theater”; “New China”; “Southern Kingdom”; Natyashastra; Bharata Muni; Bhasa; Kalidasa; Classical Dance;Sanskrit Theater; Folk Theater; “Amateur Theater”; “Street Theater”; “Experimental Theater”; R.Tagore; Joruri; Shingeki; Kyogen, Zeami

Abstract

This article examines the importance of drama in the literature of Eastern peoples, in particular in Hindi, Arabic, Chinese and Japanese literatures, and the periods and features of development of drama in the world literature. It describes the emergence and nature of this genre, as well as the works of playwrights, shows the influence of drama in the progress of literature and performance art. The kinds of folk and contemporary theater, themes and problems arisen on the stage have been discussed in the article.

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