Multiple Ambivalent Feminine Spaces in Zora Neale Hurston’s Feminine Characters

  • Alali Salam Gender in English and American Literature and Culture Program, Faculty of Humanities, Department of Cultural and Literary Studies, Eotvos Lorand University
Keywords: Multiple Ambivalent; Feminine Spaces; Zora Neale Hurston’s

Abstract

This paper focuses on Zora Neale Hurston’s exploration of feminine space and the way she viewed the African Americans in a very fragmentary way borrowing from the post- colonial theory Homi Bhabha’s concept of “third space” and from Stuart Hall’s concept of “becoming” and “positionality.”  It also explores the concept of space in selected novels by Hurston, using Edward W. Soja’s and Henry Lefebvre’s idea about the multiplicity and hybridity of third space in favor of negating the plurality of space, taking it at the end to apply on gender in her chosen fiction.

References

Bhabha, Homi. The Location of Culture. Routledge, 1994.
Foucault, Michel. Power/Knowledge: Selected Interviews and Other Writings1972-1977. Pantheon Books, 1980.
Hall, Stuart. “Cultural Identity and Diaspora.” Identity: Community, Culture and Difference, edited by Jonathan Rutherford, Lawrence& Wishart, 1990, pp. 222-237.
Hooks, bell. Talking Back: Thinking Feminist, Thinking Black. South End P, 1989.
Hurston, Zora Neale. Jonah’s Gourd Vine. Harper Collins, 1990.
---. Their Eyes Were Watching God. Harper Collins, 1990.
---. “Zora Neale Hurston, Folk Performance, and the ‘Margarine Negro.’” Cambridge University Press, 28 July 2007, pp. 213-236.
Soja, Edward W. “Toward a New Consciousness of Space and Spatiality.” Communicating in the Third Space. Eds. Karin Ikas & Gerhard Wagner. NY: Routledge, 2008. 148-159.
Published
2023-04-13
How to Cite
Salam, A. (2023). Multiple Ambivalent Feminine Spaces in Zora Neale Hurston’s Feminine Characters. International Journal of Social Science Research and Review, 6(4), 447-452. https://doi.org/10.47814/ijssrr.v6i4.1177